'After the world had been created, man was placed in it as in a theatre, that he, beholding above him and beneath the wonderful works of God, might reverently adore their Author.'
John Calvin in Matthew Bingham, A Heart Aflame for God, p.236.
'The fire of erotic impulse, intrinsic to human nature, can brighten and warm our lives as a source of gladness and fruitfulness. It can also erupt in conflagrations of deadly passion. In a Christian optic, eros is an impulse towards the divine, but it not itself divine. It has its part to play in ordering human existence towards its true goal, the knowledge and love of God. It must not be mistaken for the goal.'
'The human will to embody beauty is, I suspect, underrated. But it lives in us as a consequence and expression of our iconic nature. He in whose image we are made is Beauty. Beauty is naturally the end towards which we strive.'
'Do you want to know what God is like, the form in which God reveals himself? Look in the mirror; look at your friends; look at your spouse. Start here: a human being with eyes and ears, hands and feet, eating meals with friends. Walking to the store for a bottle of milk, hiking in the hills and picking wildflowers, catching fish and cooking them on a beach for breakfast with friends.'
Eugene Peterson, As Kingfishers Catch Fire, p.227.
'God made a riotous universe of fabulous functionality and superabundant systematicity, a perfect marriage between a tie-die bohemian artist and a round-spectacled besuited mathematician.'
Christopher Watkin, Biblical Critical Theory, p.72.
'It isn't just that I don't believe in God, and, naturally, hope that I'm right in my belief. It's that I hope there is no God! I don't want there to be a God; I don't want the universe to be like that.'
Thomas Nagel in Alister E McGrath, Through a Glass Darkly, p.173.
'It is the universal renovation of our natures by the Holy Spirit into the image of God, through Jesus Christ.' John Owen in Kelly M Kapic, You're Only Human, p.164.
'The God of the Sahara must be vast, boundless, and expansive. The God of quarks must have an unimaginable eye for detail. The God of wombats must have a sense of humor. Everything in creation has theological implications, and one of the joys of being human is figuring out what they are.'
Andrew Wilson, God of All Things: Rediscovering the sacred in an everyday world, p.3.
'The Christian life is not an an ascetic life, but a life in which every received pleasure draws the mind up to supreme Pleasure, Christ himself, in his resplendent beauty. Joy is fundamentally a vision of God.'
Dane Ortlund in Julian Hardyman, Jesus, Lover of My Soul, p.162.
'Every aspect of creation points in one way or another to some truth about God as he relates to us. Solid and dense though a mountain may be, it is like a shadow of the sheer vastness of God. The whole created order and the whole human world - real though they are, of course - were created to portray spiritual realities greater than themselves.'
Julian Hardyman, Jesus, Lover of My Soul: Fresh Pathways to Spiritual Passion, p.11.
'"So God's up there? I say, pointing to all those wonderful stars. "A someone?"
"Everywhere, Ort. He's everything. The trees, the ground, the water. Everything stinks of God, reeks of him."' Tim Winton, That Eye, The Sky, p.89.
'To be unconditionally dependent on another human subject is to be in deep danger of repressive, dehumanizing patterns of relation. To depend on God in the context I have outlined is precisely to be delivered from this. God is not another ego greedy to control.'
'...only a few months before I had copied the last verse of the psalm into a notebook: 'But thy loving-kindness and mercy shall follow me all the days of my life: and I will dwell in the house of the Lord for ever.' It had occurred to me how often the the authors of scripture depict God as a house or shelter in which one might dwell, as if faith were itself a home, affording all the protection, comfort, stediness and sense of belonging that home implies - as if the need for God were homesickness in paraphrase.'
'The path of return to God lies through creation itself...Cultural apologetics involves cultivating spiritual perception, recognizing that creation itself offers glimpses of the divine. Even more, creation ushers us into God's presence as we learn to see God in and through all that he lovingly has made.'
Paul M Gould, Cultural Apologetics: Renewing the Christian Voice, Conscience, and Imagination in a Disenchanted World, p.83.